Posted on: January 20, 2020 Posted by: admin Comments: 0


in , i recorded delécluse: douze études for snare drum. and it was epic. delécluse is the and video. in two days. and you can watch études 1 + 9 right now. album. delécluse: douze études for snare drum étude 9: but i didn’t forget who it was all for: percussionists who struggle learning delécluse. that segment is.

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A great balance to try and reach. Meaning the f is not extremely loud and the p is not as soft as he can play. I know for a while in my early twenties I was unaware of these ettude three.

Delecluse Etudes (12) for Drum Studies & Etudes

Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Some notes have empty circles written above them, and some have filled circles.

Following many of the titles in our String Ensemble catalog, you will see a set of four numbers eetude in square brackets, as in this example:.

All of the dynamics are consistent with each other which really starts to become important as we go along in these We ship from centrally-located Dallas, Texas.


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Something someone smarter than me should analyze. For those of you curious, yes there are three more etudes after 9.

Delecluse Etudes (12)

Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual Rob has a great laid back feel in this one and has an enviable touch on the drum. There is no low brass.

He is clearly playing 2 in the context of all 12 as the f and p are not extreme. Rob does a tremendous job not dslecluse in 12, but throughout, of addressing all of these concerns and still sounding musical. The p dynamic is within the context of all 12 etudes similar to 2 as well as the f.

Rhythmically this etude is rather intimidating. This etude uses lots of the same rhythms but repeated in different ways and displaced over different beats. For some reason this etude reminds me of some of the Keiskleiriana etudes Delecuse have learned out of both book 1 and 2.

That timing is perfect. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this: Rob is very clear in navigating this xelecluse water and keeps the pulse very steady throughout. New Deleclise EM1 3.

Delecluse etudes – William James

It is very apparent though that rhythmic precision and smooth rolls are a must for this etude. This system lists Horn before Trumpet. This is not edlecluse in the book. We have many mutual friends in common as well as both being at New World at different times so it was odd we had not crossed paths.


The style and feel is very laid back and relaxed. Other Required and Solo parts follow the strings:.

This resource has been long awaited. The system used above is standard in the orchestra music field.

Ftude have had sympathy for the recording engineer for this project. This is a special instrumentation adopted and perfected by the Philip Jones Brass Ensemble.

Here is what I thought… 1 What immediately jumps out to me is the relaxed way Rob plays Delecluse. The numbers represent only distinct parts, not the number of copies of a part.

Snare drum is one of the most difficult instruments to record and have dynamic range. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.

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