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Just imagine what would happen if someone went to a museum and decided to change the colors on fredderic painting: My father and my brother Manuel.
During the next two months I will be preparing a new repertory for my CD recordings and I will be working on my critical edition of Villa-Lobos’ Etudes. If yes, how good were you at it?
Complete editions are Vilka Zigante’s specialty: There are still so many works to be discovered and recorded even for instruments like the guitar. It is necessary to know exactly what the composer intended but this isn’t always possible on the only basis of the written text. But I know that I shall certainly not: But his power can be negative and he can destroy music, modify it or misinterpret it.
What do you tell them? What really matters is to transmit emotions and feeling.
With a clear mind, he recognises current cross-over tendencies and hip genre-bending see his answers to our Festival-question! After this reserach I bring out my personal emotions on the condition that they do not affect the composer’s idea. I play both baroque and classic guitar and I consider them two different instruments.
I would probably be a medical doctor or a politician. Have you ever tried playing a different instrument? A good live performance requires good technical standards and acceptable contents for the audience. Someone who takes care of other people’s problems. This is what some performers do sometimes, they even cut off some parts of the works!
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What constitutes a good live performance in your opinion? The one that mediates between the written text and the auditors.
The hardest part about being a musician is to often be alone and the best is to get emotion during a performance. You need to see the whole picture here – after all, that is what Frederic Zigante is all about.
This is the way to discover beauty in all music, not only classical. This is how an interpreter and a composer can cope to “travel” together without any conflict. People need to be educated about classical music, before they can really appreciate it. And yet, he is by no means an anachronism.
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15 Questions to Frederic Zigante | interviews Guitar Classical
What really makes the difference is the music that is written for it. You are given the position of fredric director of a concert hall.
Behind this desire for integrity hides no pathologically prolific mind, but a man who searches for profundity and who wants to use the power of interpretation to the good. I am a zigantr bit annoyed by crossovers but I do realize that it is just a fashion that will pass without too many damages.
Is there a crisis? If a perfomer has nothing to say and simply plays the music, he should stay home.
First I need a contract then I shall begin thinking about it! An interpreter has a great power in his hands because without him the work has no life and can’t be heard. I haven’t noticed any crisis.
Villa-Lobos: Complete Solo Guitar Works
The latter implies that Zigante eschews or may we even say “despises” the modern-day tendency to submit a Classical works to the arbitrariness of subjectivity, to change it, alter it or even leave out certain passages for more easy digestability. How would you describe the relationship with your instrument?
Interpretation is a task: An interpreter’s task is to give life to emotions that are latent in the musical text not only to play them! I live between two beautiful Italian towns: False, the only thing about which people need to be educated is listening with curiosity: